coco nelegatti
tango and folklore from Argentinanelegatti
coco nelegatti – Komponist und Arrangeur – argentinischer Tango für Streichorchester (Violine, Viola, Cello), Gitarre und Bandoneon
Komponist und Arrangeur – argentinischer Tango für Streichorchester (Violine, Viola, Cello), Gitarre und Bandoneon
A los paisanos
The milonga, together with the vidalita, the estilo, and the cifra, is a popular form of musical expression among gauchos in rural Argentina.
Milonga campera for four guitars
El desafío
‘Without challenges, life is a routine, a slow agony.’ (Albert Einstein)
Work for transverse flute and string quartet
I. Tango
II. Milonga
III. Tango
Por los caminos del Tucumán
Work featuring musical elements from Argentine folklore as a tribute to the province of Tucumán
Aire de Chaya for String Quartet
Mañana vemos
Yesterday, today, tomorrow. Tomorrow is not something natural, something obvious. Albert Camus claimed that a man who lacks hope and is aware of it has ceased to belong to the future.
From the work ‘Tres Temas para Violín y Guitarra’, recording with violinist Jansen Folkers
I. Anoche te vi
II. Hoy en día
III. Mañana vemos
Agradeciendo el alba
‘And now I sing, dawn is breaking, the village is still asleep.’ (Joan Manuel Serrat)
Part of the work for string orchestra ‘Tres Tangos para Orquesta de Cuerdas’
I. Agradeciendo el alba
II. Por si se acaba
III. En tres meses vemos
Hoy en día
‘We're not doing well these days, not well at all,’ he said to his friends in the pub. ‘We sent a device the size of a washing machine to a comet, had it collect samples and brought it back to Earth. But we're not able to prevent people from dying every day because they don't have drinking water.’ He paused, took a sip of Fernet and shook his head. ‘No,’ he said, ‘we're not doing well at all.’
From the work ‘Tres Temas para Violín y Guitarra’
I. Anoche te vi
II. Hoy en día
III. Mañana vemos
Don Faustino
Tango by Alberico Spatola (1885–1941) from 1912
From the album VIEJOS TANGOS I, arranged for violin, viola, cello and guitar
El Cronopio
"When a cronopio sings, the hopes and the famas come to listen to him, even though they don't understand much of his outburst and are generally somewhat scandalised... But since they are good at heart (the famas are good and the hopes are silly), they end up applauding the cronopio, who recovers with a start, looks around, and also begins to applaud, poor thing." (Historia de cronopios y de famas, Julio Cortázar)
From the work ‘Tres Temas para Flauta y Guitarra’
I. El Cronopio
II. Milonga del Serafín
III. Un motivo de vals
Milonga der Serafín
The seraphim are angels who belong to the choir of God. They are considered the highest order in the heavenly hierarchy
Arrangement for Tango Quintet (with Guitarrón) of the original work ‘Tres Temas para Flauta y Guitarra’
1. El Cronopio
2. Milonga del Serafín
3. Un motivo de vals
No mires hacia atrás
The ‘tonada’ from Cuyo, with its intimate and tranquil spirit, is one of the most beautiful expressions of Argentine folklore.
Don't look back...
When the river grows still, when the sun has set,
I will continue to dream of you, I will always love you
For all eternity!
Don't look back...
Musical work for choir (SATB)
Por si se acaba
This trilogy for strings is a small tribute to those whom I have followed, admired and studied with great joy for most of my life: Aníbal Troilo, Ástor Piazzolla and Osvaldo Pugliese
From the work for string orchestra ‘Tres Tangos para Orquesta de Cuerdas’
I. Agradeciendo el alba
II. Por si se acaba
III. En tres meses vemos
Coronalmente
Composition created during the coronavirus pandemic
Musical composition for string quartet
1. Los comienzos (Die Anfänge)
2. Buscando un camino (Auf der Suche nach einem Weg)
3. Los que se fueron (Diejenigen, die weggegegangen sind)
4. Protesta (Protest)
5. Hay posibilidades (Es gibt Auswege)
6. Y lo que se viene ... (Und was kommen wird ...)
Por si acaso
Tango for flute and guitar from the musical work ‘Tres Tangos para Flauta y Guitarra’
I. El Chiche
II. La Perlita
III. Por si acaso
Tango de madrugada
It's getting light, another day to enjoy our time...
Tango for two violins, viola, cello, bandoneon, piano and double bass
El invierno prometido
‘No one offers as much as the one who will not deliver.’ (Francisco de Quevedo)
Musikwerk für Geige, Bandoneon, Gitarre, Klavier und Kontrabass
La tucumanita - 3. Vidala
Vidala for SATB choir and percussion as part of the musical work ‘La tucumanita’
1. Zamba
2. Chacarera
3. Vidala
4. Gato
5. Bailecito
6. Cueca
7. Huayno
Al tano Giovanni
‘Friendship ... is a matter of principles’ (Albert Camus)
Tango für drei Gitarren